Embodied Threat
Analyzing Billy Idol’s “Cyberpunk” video, Thomas Foster notes
The circumstances which led to the murder of 23 year-old Sean Bell on Saturday, 25 November, just outside Club Kalua in Jamaica Queens, New York, are superficially different than the Rodney King beating (3 March 1991) and the murder of Amadou Diallo (4 February 1999). For one, the latter instances of police brutality against lone, unarmed black men involved face-to-face confrontations, though Diallo was murdered with range weapons (guns) just as Bell. 1
What intrigues and terrifies me about these cases (Bell’s and King’s especially) is the idea that vulnerable (black) men can be (and have been) perceived by experienced law enforcement officers as threatening. In “50 Bullets, One Dead, and Many Questions,” William K. Rashbaum and Al Baker note
Police officers handcuffing a mortally wounded human being is a scene from the realm of psychoanalytic gothic. I’m thinking in particular of Freud’s “‘A Child is Being Beaten’,” wherein the observer of an act of violence becomes, first, the object of that violence and, subsequently, perpetrator of that violence.
The moment before Bell is handcuffed, his wounded body presents to his murderers a mirror of the violence it has received, capable of anything except continuing on.